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Barbershop and a Capella Singing

     
 

"A capella" singing means singing without hand-held music, and without a musical accompaniment. 

Male choruses and quartets typically sing in 4-part harmony, with Bass forming a "firm foundation", Baritone singing challenging harmonies in the midrange, Lead carrying the melody, and Tenor embellishing the upper registers with a sound that can be experienced better than described. (Maybe a descant soprano comes close.)  Occasionally, another part takes over the lead role for a line or two and Basses (for example) are repeatedly told in rehearsal to "sing like a lead".

In performance, typically a tuning-note is played on a "pitch-pipe", and the singing begins on a recognized signal.  If a quartet is performing, a member will give a signal, or it "just happens" due to hours of practice.  If a larger chorus is singing, there will usually be a director conducting the group.  Singers learn to mentally "get" their own starting note from the single note that is played.

"Barbershop" owes its name to the development of a singing style among men awaiting the attentions of a "barber" (gentlemen's hairdresser).

The style is characterized by close harmony and 4-note chords that can sound "edgy" and need to be done realy well.  Long vowel-sounds and a flowing style without "gaps" in the sound are considered hallmarks of good performance. Certain types of chords and note sequences are part of the style.

The Detail - for those that want to know more . . . .  Technical, including judging criteria